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Just the Time of Day

The focus was sharper in real life!

I’m looking across at a harbour, late at night after the sun has gone down, and the dimensions of the port are not as I remember them in the daylight. There’s a series of white markers that link to some low level uplighters, standing proud and indicating something of importance. To the left of this, and after a period of drab pipes and beams, are a dazzling array of white beacons, broadcasting their resilience into the night. In front of this are long tubular rays, shimmering like warning markers before the industry behind them.


What I find remarkable is the change between this view and that of the daytime where the actual structures that stand out are those that are not lit up this evening. There’s a whole building that stands as an impressive roundhouse, iconic to a degree but which at night looks like a failed bus shelter. And the water in front of the structures in this dark becomes part of them, increasing the visual depth and warmly leading us to the dazzling lights beyond.


So what, you say? The what is that depending on the time of day when stories are set, the whole ambience and the perceptions of the characters are changed, producing different levels of fright, perception, awe and awareness. Approaching this harbour during the day it looks like a Scottish ideal, whereas at night it becomes more of an unknown, a journey of discovery and has senses more on edge.


This brief tableau has made me think more about when things are happening in stories and to couple that onto the what is happening to produce a more accurate and pleasing tale. Placing myself in situ has become an even more involved task than it already was and in my mind I need to swing around more before jumping into the action.

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Write Apocalyse Now!

I’m just starting out on writing an “end of the world “ thriller and have been thinking about how these will compare to my dark fantasy adventure novels. The term apocalypse for me has always brought up great heavenly battles, four horsemen (updated to persons these days of course) racing across the sky, the world gathering at Megiddo and such like. So are the apocalyptic tales in the pandemic / zombie / EMP / natural disaster genres really any different.


One thing that comes straight to mind is that the old magical / fantastical element is gone. The days of a learned genius waving his hands and opening portals or creating hellfire will have to go and more pragmatic solutions will have to be found. This causes a greater emphasis on tactical or mechanical solutions, or simple butchering in the case of zombies. Transformations of people may have to be kept to a low variety instead of the many magical forms that characters take.


Another point spotted while reading these genres is the technical detail, sometimes far and beyond the grasp of many characters: you need to be an expert to survive. How far this is the case and how far the human spirit and determination will get you is another question but certainly the science (or at times pseudo-science) needs to be to the fore and loaded with the best bullets.


But overall this one thing remains although it has been lost in a few tales from the genre I have read. The character remains the thing. The human conflicts, the dreams hopes and aspirations and then the devices that thwart these goals, must not be simply there but must drive the tale. As I read across many genres, the best stories always resonate around the person whether it’s a woman stuck at a train station in the middle of nowhere (Absent in the Spring, Agatha Christie written as Mary Westmacott), a captain of the guard holding together a magical and manic city (Feet of Clay, Terry Pratchett) or a woman fighting to reunite her family after a nuclear holocaust (Point of Impact, Kyla Stone).


So whatever I come up with, it will certainly take my characters and break them as ever, only to have them claw their way back. But this time it will be in the midst of a pandemic, lawlessness and a country falling apart. It almost feels like home! My writing home that is, the Outer Hebrides hasn’t got to that stage yet!

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A Spielberg Masterclass

This week I have been hit by the cold and was forced to actually take Sunday as a proper day of rest. Therefore I was found on Sunday morning at about 9am watching “Bridge of Spies” , huddled on my sofa, fighting to breathe properly through my nose (yes, those are violins you are hearing).

Bridge of Spies DVD cover


Now I have to say I am a fan of the spy genre, Len Deighton and John le Carre being authors I love but this was a rather unknown story to me. However it was more than a spy movie, rather it was a masterclass in telling a story.


What struck me about this film was not Tom Hanks’ acting (although as the main character he was superb) or that of anyone else in the film (Alan Alda was sublime). It wasn’t the terrific locations, especially Berlin in its coldness, snow on the ground and lawlessness breaking out. Rather it was the way Stephen Spielberg can hit your emotions from the blindside.


At one point Hanks character is crossing from East berlin to West Berlin after successful negotiations and looks out of the train to see the recently built wall. So far all has been fairly pleasant in the film but at this point you see the hopeful escapees brutally shot down off the wall and it hits you hard. The shot is brought back to mind as Hanks is back in the USA having completed the mission successfully and is somewhat warmed by the response he receives on a train. But looking out the window he sees a backyard wall with kids jumping over it and you are immediately taken back to that sucker punch.


A story would not be true to itself if it didn’t show that uneasiness we all have with finished results, knowing that despite success there is more evil or unfairness left in the world. Unless it’s a child’s movie the platitude does not really sit well with us.


Having watched the film, I found myself thinking about how Spielberg sets his audience up, rolling them through those confusing sides of life, of every person, so we end up with a rounded picture of what is happening whether we like it or not. And seeing it on film only makes me want to do it on paper. In a world where characters are often one dimensional or simply purporting one side, depth of writing that can enhance our world view with all its complications can only be a good thing.


Watching this film made me remember why I love films to be begin and why I love reading. The challenge made to ourselves as viewer and reader is surely what makes it all worthwhile.

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Who is Mr. Kirkgordon?

As an author I am often asked where my ideas come from for characters and plots which makes me pause and actually think, where have they come from? In response to this feeling, I’m taking a few blogs to discover for myself which bit of this dark mind of mine has produced my main characters.


Mr. Kirkgordon is the one of feuding duo who had their relationship first formed on paper in “Crescendo!”, although a later short origin story, “Footsteps”, takes us back to their first actual meeting under a grave. Agile and a former bodyguard, Kirkgordon can handle himself in trouble and is ideal to look after the volatile eldritch genius that is Mr Austerley.

Kirkgordon comes from that part of us that knows what the right thing to do is, and that we’re going to have to do it despite the hardship that comes from doing it. He cannot walk away, even if the people he’s involved with do the exact opposite to what he would. Having a faith in God, Kirkgordon is not a religious nut but rather is the atypical believer struggling with his faith as well as his behaviour to others he loves and those he loathes.

“Death? That’s it? Indy, everywhere we go there’s a general implication of death. Do you mean death here, in the corridor, or death in a more widespread sense?”

From Ship of Doom by G R Jordan


As a man of faith I wanted to have Kirkgordon put under pressure, both from the outside darkness but also from his own darker sides. He has a wandering eye when it comes to women and when Calandra comes on the scene, they have to fight the immense attraction between each other while working closely together in front of her former lover Austerley.

The archer in Kirkgordon comes from myself and was a lot of fun to write, although I doubt anyone in the real world has handled a bow like him. One of the sides of Kirkgordon brought out to me by a reader was how harsh he is on Austerley. Constantly pilling on the banter and sometime abuse, his understanding of his colleague takes time to grow until there is a mutual respect and distrust in the same measure. Each knows the other frailties and the trouble that comes from them.

“Nailed to your cross then. I hope you believe in redemption and foregiveness too, Havers?”

From Crescendo! by G R Jordan

Ultimately, I think Kirkgordon is ourselves thrown into the mess of situations with all fears, beliefs, pressures and blind corners, knowing that we still have to get it done. He’s not the most powerful, most clever, wisest or even the bravest of the characters but he always gets it done, fighting his conscience all the way. In that I reckon he’s like a lot of people on this earth, albeit his demons tend to jump out of the ground at him.

Check out Kirkgordon’s psychologist’s report here and see what the professionals at SETAA think of him. Or for the books check out my shop and find Kirkgordon for yourself!

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7 of the Best Weird Book Titles

This past week I was looking at weird book titles and here are seven of the best I found. At times they are just strange and you question what they are about, or if there was a misprint. Others you just sit down and wonder how life got so strange.

1.

Can you imagine getting the okay to take on the top position (earthly) of the Roman Catholic church and what do you get handed to you. This handy guide from Piers Marchant. Maybe he has experience, or just thought it would be a helpful asset. I’m unsure just how many copies you would need in the print run though.

2.

I keep this one on the shelf in case the need arises. I imagine it would be a terrifically morbid Christmas gift.

3.

A definite niche market and the mind boggles at the moves you have to perform with this kind of combination. I guess it’s good for the mind, body, soul and sex life.

4.

One of those necessary documents for the armed feline in today’s society. I hope you too have taken your pet through those unlikely but traumatic events that can happen in life. Remember gun safety is important whether you have fur or skin.

5.

Cook books are often maligned but one cannot escape the benefits of this form of cuisine. I’m not entirely sold on the research behind this but as a summer BBQ alternative then maybe it has a following.

6.

Preplanning is always an important side of life but I haven’t quite gotten to this stage. While many of us may be in debate about whether there is or isn’t something beyond, this book explains how to have a good time when you’re there. How do they know?

7.

No humourous comment, no swipe at anything just a plain, WHAT? Did someone actually think this was something that needed looked into? We need to be green, let’s look at the Nazis. Just beggars belief.

There you go, some weird, some strange and some that, well, just no! Hopefully my titles are better, check them out at grjordan.com/shop.

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Write your novel in 6 weeks

Write your novel in 6 weeks

If you have a story inside that is yearning to get out and in to a book. Or if you’re not sure how to get it on to paper then this is the answer. ‘Write your novel in 6 weeks’ is a course designed to turn your ideas into reality.

I am very excited to be presenting a series of workshops. I’ve designed these workshops to help you develop and shape your story into what could ultimately be a published novel.

I will be drawing from my own experience of novel writing. However, you will have an extra couple of weeks than I take to write a 60,000 word novel!

How do you write your novel in 6 weeks???

Without going in to too much detail here (as that would make for an incredibly long post!) I set aside some time each day without any distractions, plenty of coffee and I write. I’ll take you through the writing discipline. In addition I’ll show you how you bring it all together at the end to produce a professional manuscript. If you’d like to then you could even go on to publish your novel.

This is a local workshop in the Outer Hebrides at the An Lanntair Arts Centre. I’d like to develop it in to an online series of workshops too, possibly by video conference. If you are interested in such an online course then please email me at gary@grjordan.com or leave a comment below.

To book your place on the An Lanntair workshop please visit their site.

If you haven’t seen what novels I’ve written then please visit my shop for brief tour.

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Is Everything Better with a Mythological Beast! Why yes!

My wife was recently reading the tales of Greek mythology to our children and as we talked about the wonder the kids had over some of the stories, I desperately tried to remember the names of the various heroes and heroines. I also tried to bring to mind the origin tales of the mythical beasts that are a core part to these stories. Generally I failed but in my defence I have too many mythologies in my head and too many creatures of various shapes and sizes – one of the dangers of being an urban fantasy writer.

It seems that in our mythologies there are always creatures that are built on, but have surpassed, those that inhabit our planet. Why have simply a horse when you can stick a pair of wings on it and let it fly through the sky. Why have whales or sharks when you can have a creature that has tentacles to smash ships and drag them to the deep. We seem to need to that difference, that strangeness.

As a writer of fantasy I have to confess to making my own beasts up and delving into the mythologies of the cultures of the world for my next great beast. Indeed, HP Lovecraft decided that this earth’s horrors were not enough and those from a foreign planet were required. Tolkien wasn’t content with elephants and produced his oliphaunts. We thrive on the unusual and superlative.

But I have found one thing to be true in my reading and writing of fantasy. All the wonder of these beasts and their vivid and incredible backgrounds only ever highlight the one creature that is imminently more complex and interesting than these giants of fantasy – ourselves. Humans, or their derivatives (dwarves, elves, halflings, and more recently vampires and werewolves), are the truly strange creatures with their shades of emotion and actions, some dark, some heroic and some just foolish. But to highlight this complexity of character, we writers have to place alongside them that which is beyond the norm we are used to.

So, is everything better with a mythological beast? Well as far as fantasy writing goes, yes, absolutely but only to highlight that most complex and strange creature we call a human.