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Write Apocalyse Now!

I’m just starting out on writing an “end of the world “ thriller and have been thinking about how these will compare to my dark fantasy adventure novels. The term apocalypse for me has always brought up great heavenly battles, four horsemen (updated to persons these days of course) racing across the sky, the world gathering at Megiddo and such like. So are the apocalyptic tales in the pandemic / zombie / EMP / natural disaster genres really any different.


One thing that comes straight to mind is that the old magical / fantastical element is gone. The days of a learned genius waving his hands and opening portals or creating hellfire will have to go and more pragmatic solutions will have to be found. This causes a greater emphasis on tactical or mechanical solutions, or simple butchering in the case of zombies. Transformations of people may have to be kept to a low variety instead of the many magical forms that characters take.


Another point spotted while reading these genres is the technical detail, sometimes far and beyond the grasp of many characters: you need to be an expert to survive. How far this is the case and how far the human spirit and determination will get you is another question but certainly the science (or at times pseudo-science) needs to be to the fore and loaded with the best bullets.


But overall this one thing remains although it has been lost in a few tales from the genre I have read. The character remains the thing. The human conflicts, the dreams hopes and aspirations and then the devices that thwart these goals, must not be simply there but must drive the tale. As I read across many genres, the best stories always resonate around the person whether it’s a woman stuck at a train station in the middle of nowhere (Absent in the Spring, Agatha Christie written as Mary Westmacott), a captain of the guard holding together a magical and manic city (Feet of Clay, Terry Pratchett) or a woman fighting to reunite her family after a nuclear holocaust (Point of Impact, Kyla Stone).


So whatever I come up with, it will certainly take my characters and break them as ever, only to have them claw their way back. But this time it will be in the midst of a pandemic, lawlessness and a country falling apart. It almost feels like home! My writing home that is, the Outer Hebrides hasn’t got to that stage yet!

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A Spielberg Masterclass

This week I have been hit by the cold and was forced to actually take Sunday as a proper day of rest. Therefore I was found on Sunday morning at about 9am watching “Bridge of Spies” , huddled on my sofa, fighting to breathe properly through my nose (yes, those are violins you are hearing).

Bridge of Spies DVD cover


Now I have to say I am a fan of the spy genre, Len Deighton and John le Carre being authors I love but this was a rather unknown story to me. However it was more than a spy movie, rather it was a masterclass in telling a story.


What struck me about this film was not Tom Hanks’ acting (although as the main character he was superb) or that of anyone else in the film (Alan Alda was sublime). It wasn’t the terrific locations, especially Berlin in its coldness, snow on the ground and lawlessness breaking out. Rather it was the way Stephen Spielberg can hit your emotions from the blindside.


At one point Hanks character is crossing from East berlin to West Berlin after successful negotiations and looks out of the train to see the recently built wall. So far all has been fairly pleasant in the film but at this point you see the hopeful escapees brutally shot down off the wall and it hits you hard. The shot is brought back to mind as Hanks is back in the USA having completed the mission successfully and is somewhat warmed by the response he receives on a train. But looking out the window he sees a backyard wall with kids jumping over it and you are immediately taken back to that sucker punch.


A story would not be true to itself if it didn’t show that uneasiness we all have with finished results, knowing that despite success there is more evil or unfairness left in the world. Unless it’s a child’s movie the platitude does not really sit well with us.


Having watched the film, I found myself thinking about how Spielberg sets his audience up, rolling them through those confusing sides of life, of every person, so we end up with a rounded picture of what is happening whether we like it or not. And seeing it on film only makes me want to do it on paper. In a world where characters are often one dimensional or simply purporting one side, depth of writing that can enhance our world view with all its complications can only be a good thing.


Watching this film made me remember why I love films to be begin and why I love reading. The challenge made to ourselves as viewer and reader is surely what makes it all worthwhile.

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Who is Mr. Kirkgordon?

As an author I am often asked where my ideas come from for characters and plots which makes me pause and actually think, where have they come from? In response to this feeling, I’m taking a few blogs to discover for myself which bit of this dark mind of mine has produced my main characters.


Mr. Kirkgordon is the one of feuding duo who had their relationship first formed on paper in “Crescendo!”, although a later short origin story, “Footsteps”, takes us back to their first actual meeting under a grave. Agile and a former bodyguard, Kirkgordon can handle himself in trouble and is ideal to look after the volatile eldritch genius that is Mr Austerley.

Kirkgordon comes from that part of us that knows what the right thing to do is, and that we’re going to have to do it despite the hardship that comes from doing it. He cannot walk away, even if the people he’s involved with do the exact opposite to what he would. Having a faith in God, Kirkgordon is not a religious nut but rather is the atypical believer struggling with his faith as well as his behaviour to others he loves and those he loathes.

“Death? That’s it? Indy, everywhere we go there’s a general implication of death. Do you mean death here, in the corridor, or death in a more widespread sense?”

From Ship of Doom by G R Jordan


As a man of faith I wanted to have Kirkgordon put under pressure, both from the outside darkness but also from his own darker sides. He has a wandering eye when it comes to women and when Calandra comes on the scene, they have to fight the immense attraction between each other while working closely together in front of her former lover Austerley.

The archer in Kirkgordon comes from myself and was a lot of fun to write, although I doubt anyone in the real world has handled a bow like him. One of the sides of Kirkgordon brought out to me by a reader was how harsh he is on Austerley. Constantly pilling on the banter and sometime abuse, his understanding of his colleague takes time to grow until there is a mutual respect and distrust in the same measure. Each knows the other frailties and the trouble that comes from them.

“Nailed to your cross then. I hope you believe in redemption and foregiveness too, Havers?”

From Crescendo! by G R Jordan

Ultimately, I think Kirkgordon is ourselves thrown into the mess of situations with all fears, beliefs, pressures and blind corners, knowing that we still have to get it done. He’s not the most powerful, most clever, wisest or even the bravest of the characters but he always gets it done, fighting his conscience all the way. In that I reckon he’s like a lot of people on this earth, albeit his demons tend to jump out of the ground at him.

Check out Kirkgordon’s psychologist’s report here and see what the professionals at SETAA think of him. Or for the books check out my shop and find Kirkgordon for yourself!

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Write your novel in 6 weeks

If you have a story inside that is yearning to get out and in to a book. Or if you’re not sure how to get it on to paper then this is the answer. ‘Write your novel in 6 weeks’ is a course designed to turn your ideas into reality.

I am very excited to be presenting a series of workshops. I’ve designed these workshops to help you develop and shape your story into what could ultimately be a published novel.

I will be drawing from my own experience of novel writing. However, you will have an extra couple of weeks than I take to write a 60,000 word novel!

How do you write your novel in 6 weeks???

Without going in to too much detail here (as that would make for an incredibly long post!) I set aside some time each day without any distractions, plenty of coffee and I write. I’ll take you through the writing discipline. In addition I’ll show you how you bring it all together at the end to produce a professional manuscript. If you’d like to then you could even go on to publish your novel.

This is a local workshop in the Outer Hebrides at the An Lanntair Arts Centre. I’d like to develop it in to an online series of workshops too, possibly by video conference. If you are interested in such an online course then please email me at gary@grjordan.com or leave a comment below.

To book your place on the An Lanntair workshop please visit their site.

If you haven’t seen what novels I’ve written then please visit my shop for brief tour.

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Is Everything Better with a Mythological Beast! Why yes!

My wife was recently reading the tales of Greek mythology to our children and as we talked about the wonder the kids had over some of the stories, I desperately tried to remember the names of the various heroes and heroines. I also tried to bring to mind the origin tales of the mythical beasts that are a core part to these stories. Generally I failed but in my defence I have too many mythologies in my head and too many creatures of various shapes and sizes – one of the dangers of being an urban fantasy writer.

It seems that in our mythologies there are always creatures that are built on, but have surpassed, those that inhabit our planet. Why have simply a horse when you can stick a pair of wings on it and let it fly through the sky. Why have whales or sharks when you can have a creature that has tentacles to smash ships and drag them to the deep. We seem to need to that difference, that strangeness.

As a writer of fantasy I have to confess to making my own beasts up and delving into the mythologies of the cultures of the world for my next great beast. Indeed, HP Lovecraft decided that this earth’s horrors were not enough and those from a foreign planet were required. Tolkien wasn’t content with elephants and produced his oliphaunts. We thrive on the unusual and superlative.

But I have found one thing to be true in my reading and writing of fantasy. All the wonder of these beasts and their vivid and incredible backgrounds only ever highlight the one creature that is imminently more complex and interesting than these giants of fantasy – ourselves. Humans, or their derivatives (dwarves, elves, halflings, and more recently vampires and werewolves), are the truly strange creatures with their shades of emotion and actions, some dark, some heroic and some just foolish. But to highlight this complexity of character, we writers have to place alongside them that which is beyond the norm we are used to.

So, is everything better with a mythological beast? Well as far as fantasy writing goes, yes, absolutely but only to highlight that most complex and strange creature we call a human.

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Better to tell a Story or Write a Story 

In the forthcoming year there’s going to be a slight change in the way that I produce my books. Actually it’s a pretty fundamental change. Various authors have seen the benefit of dictating their books in a rough first draft before then editing. But the amount of writing produced has increased and enabled them to produce more whilst not sacrificing quality.

I have prepared for this step change by purchasing a dictation machine with software for my computer which will translate the dictation into written format. So far I have completed some tests with the device and have started training it to my Northern Irish brogue. And I have to say that first results are pretty good.

I still remembering having dictation on the computer some 20 years ago when the results made my words look like Yoda was on speed. Despite creating a whole new language, it was a disaster and I abandoned the idea of “talking” to the machines. But technology has moved on and hopefully it will move on my writing this year.


Last year I produced 2 novels, “The Darkness at Dillingham and “Surface Tensions”, both early in the year. Things got a little delayed after that but I also have my 3rd Austerley & Kirkgordon novel in the final drafts as well as a short story to go with it. There is also a totally new venture, “Dark Wen” awaiting more editing.


The thing about using dictation is that my writing habits need to change. I need quiet to dictate, so for the first drafts the coffee shops will not be so prevalent (this is a major disappointment). Even in the house it will require getting up early to dictate so as not to be disturbed. This will hopefully also fit better into the daily workings of our household but there is definitely a suck it and see aspect to it all.

The grand plan is to produce 8 books next year. This is ambitious but then we need to aim for the heights or we stay in the valleys. So look forward to more intrigue, fantasy, action and adventure, as well as some new characters, including a Scarlett O’Meara and a myriad of mythological beasts.

So this is a sign-off for this old year and hopefully bounding into the new year to bring novels aplenty!


Happy reading in the New Year and as always thanks for your interest!

Gary

G R Jordan

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Winter Flying!


Where’s your local airport? Mine’s down the road, a few miles away and played, and still does play, an important part in my life. Living on an island, flying is the quickest method to get elsewhere but it comes with its own little quirks, especially when you throw in island weather. It can be like mainland weather, just bigger!

For the uninitiated, planes like to land and take off into wind. Especially if it’s a strong wind. So on the island that means generally. Very generally. So far so good as we have 4 runways to point down. So one of them usually fits. Except at night when two of them usually don’t have lights. Hmm…

Then we add snow or hail. So it’s hard to see and the runway gets slippery. And if the runway isn’t the one we really want then there’s a crosswind. This means the plane approaches the runway in a side on fashion, “crabbing in”. 

So why tell you this? Well I’m in the air as I write this and these are just some of the factors facing me. Or rather, the pilots. They haven’t seen fit to let me have a go yet. Probably wise.

Producing books is similar. There’s a simple sounding template to begin with but then you add the “elements” and it becomes more fun! So they say. I’m still looking for the summer flying bookwise. I often make great plans to then get buffeted off my approach to land and book final production. However, next year I’m realigning my “flying technique” in order to make more “landings” and in a more controlled fashion.

Aircraft landings are called controlled crashes and I reckon book production is that to, a controlled maelstrom of activity and work. Still, practice makes perfect.

Anyway, wish me luck, runway approaching!
P.S. We made it! Only one way to celebrate. Coffee time!

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Has Electronic Life wiped out Books?


I recently read an article about Jacqueline Wilson (link) and amongst the views attributed to her was that she believed that “Electronic life has wiped out books.” This seems like a strong statement but what is the truth behind it? According to the Washington Post (link) there has been over a 16% decline in adults who read at least one literary work per year from 1982 to 2015 from just under 57% to 43.1%. I find that quite shocking as the percentage in 1982 already seems low. 
Apparently there are more things to amuse us nowadays. With our smartphones we can surf the web or read our emails, play games or watch more television programs. I am a fan of television series and do watch a number of films and programs a week but one important thing I find with the cinematic art form is that while it may exercise your brain with issues brought to the fore, it doesn’t drive your imagination.

Surely imagination is the well spring for creativity. Without imagination our whole society would struggle to function. How would we develop, how would we grow without that capacity to think what would be and then working out how to get there? And surely books are the playground for that creativity.


I’m not saying that books are the only playground for any of the creative arts will do that. Sculpture, basket weaving, drama, embroidery, painting, etc.. are all pastimes that will drive the imagination. But when we simply hover over what I would call static detail, that which is fixed and cannot be changed, then our imagination will die.

I don’t think Jacqueline Wilson is totally right, well, not yet. But she certainly has hit the nail on the head with how things are heading.

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What’s your Favourite Book Den?

You love reading but you need to find that place where you can be surrounded by books, where you know you are in the book zone, the go away and leave me zone, the no disturbance zone, the promise of more books zone (and if you’re me the joy of having coffee on tap as well zone!). Let me wet your appetite with a few quality choices.

Sleeping bag at the ready and cosied up amongst all your books. Walls of books but I ain’t so sure about the light in there.

Carpetlessleprechaun Rating: 7/10

 

A classy look and feel with the rug compensating for the cool wooden floor. Some good natural daylight to read with and a blazing fire to sit in front of – although that looks like a fake! And how do you reach those books at the top, I’d need Indy with his lassoe.

Carpetlessleprechaun Rating: 6/10

Well the colours aren’t the greatest but there is a ladder here to get to the high books. Also a secret compartment which to hide those nefarious books (Necronomicon perhaps?). TV in case you want to compare the movie with the book. However not overly cosyand a bit dull really.

Carpetlessleprechaun Rating: 7/10

Slanty! I really love this piece of furniture, funky and unusual but to be honest whats with these wooden floors. Cold, cold, cold. And that seat’s a bit bland to sit at, no recline option I think!

Carpetlessleprechaun Rating: 5/10

Yes, it’s /a library but it’s a blooming nice one. Love that staircase and the lounging chairs on the left. Definitely a place of quiet and relaxation but I wonder what their coffee rules are? And if you nod off and snore?

Carpetlessleprechaun Rating: 7/10

Bit of a couples corner and I don’t mean you and a book. Maybe depends on your partner, if they read or not. And those blasted wooden floors again.

Carpetlessleprechaun Rating: 6/10

Now we’re talking. Who cares what else is there and I might even sacrifice the coffee for a cool beer! Unfortunately I live in the Hebrides so this is a total pipe dream. But it’s a sweet dream.

Carpetlessleprechaun Rating: 9/10

So what tickles your fancy here. Let me know by commenting below. And happy reading wherever you are!

G R Jordan, the Carpetlessleprechaun

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Genre or not to Genre?

Do you read a specific genre? If so, why? Why do we limit ourselves by looking only for books within a certain style, storyline or feel? I came to think about this because my novels tend to move across genres. Take “Crescendo!”, the first in my Austerley & Kirkgordon series. It has certain Lovecraftian throwbacks to it, so obviously it’s horror. But hang, it is set in the real world with a number of fantastical creatures and happenings in it. Ah, I hear you cry, its Urban Fantasy. Well, yes, but… It also has plenty of action and adventure in it too. And also investigators who have been described as old fashioned cop show buddies in that they can’t stand the sight of each other.

It’s hard boxing things in in real life too. Working in the emergency services, you have standard protocols and procedures but everyone will tell you there is no standard job. And in life there are no standard people. Variety and complexity is what makes life the vibrant maelstrom it is. And thank goodness, otherwise we would be board senseless by it.

Romance? Well maybe, but also fantasy and adventure

When I was writing “Surface Tensions” I was fortunate enough to have a group fund a developmental review of it. On its return to me, I was informed that it needed a serious plot change as the romance genre required a certain path to be followed. But surely the reader would see this coming? Do we really want to have the same things replayed to us. I understand seeking the same feel. I love Terry Pratchett’s Discworld series but I wouldn’t ever accuse him of simply replaying the same story even if his initial devices were similar in their instrumentation.

Terry Prachett – never simply repeating

Maybe I’m just too eclectic. I’d rather take stories in all shapes and sizes. Some I may like, some maybe not, but at least I won’t be bored into a rut. Let us all be eclectic and to the blazes with genre!