Posted on Leave a comment

Write Apocalyse Now!

I’m just starting out on writing an “end of the world “ thriller and have been thinking about how these will compare to my dark fantasy adventure novels. The term apocalypse for me has always brought up great heavenly battles, four horsemen (updated to persons these days of course) racing across the sky, the world gathering at Megiddo and such like. So are the apocalyptic tales in the pandemic / zombie / EMP / natural disaster genres really any different.


One thing that comes straight to mind is that the old magical / fantastical element is gone. The days of a learned genius waving his hands and opening portals or creating hellfire will have to go and more pragmatic solutions will have to be found. This causes a greater emphasis on tactical or mechanical solutions, or simple butchering in the case of zombies. Transformations of people may have to be kept to a low variety instead of the many magical forms that characters take.


Another point spotted while reading these genres is the technical detail, sometimes far and beyond the grasp of many characters: you need to be an expert to survive. How far this is the case and how far the human spirit and determination will get you is another question but certainly the science (or at times pseudo-science) needs to be to the fore and loaded with the best bullets.


But overall this one thing remains although it has been lost in a few tales from the genre I have read. The character remains the thing. The human conflicts, the dreams hopes and aspirations and then the devices that thwart these goals, must not be simply there but must drive the tale. As I read across many genres, the best stories always resonate around the person whether it’s a woman stuck at a train station in the middle of nowhere (Absent in the Spring, Agatha Christie written as Mary Westmacott), a captain of the guard holding together a magical and manic city (Feet of Clay, Terry Pratchett) or a woman fighting to reunite her family after a nuclear holocaust (Point of Impact, Kyla Stone).


So whatever I come up with, it will certainly take my characters and break them as ever, only to have them claw their way back. But this time it will be in the midst of a pandemic, lawlessness and a country falling apart. It almost feels like home! My writing home that is, the Outer Hebrides hasn’t got to that stage yet!

Posted on Leave a comment

What is it With Covers?

When you go hunting for a book, do you judge a book by its cover? And if so, in what way. I’m a self-publisher and so covers are important to me as they are the first line of attack in amongst a mass of books of reaching my audience. But I have a dilemma. Is the cover I like, the cover I want and which I think best suits my book, the cover that will draw the audience?

In short, no!

If there is a cover that is unusual, wacky or just downright weird, I’ll probably pick a book up and read the synopsis. The natural assumption in my mind is that everyone else will do the same. The trouble is that I always assume I am normal. Well in taste, though my wife happily points out quite often(too often!) that I am not normal in most things. The grapefruit yoghurt with mushrooms incident is a common example she quotes. Alas some people do not like adventure! (By the way my son keeps pointing at the cover above and saying “Mum-ma”. He has many people fooled.)

And so it would seem with books. Readers seem to want a book to have a cover that is similar to something they liked or know is already popular. Thrillers these days tend to have someone in shadow on the front, especially thrillers about gunmen or agents. Others go for the title in large lettering and some sort of fast motion behind it. And then there’s romance which has varying levels of couples in arms, fully dressed but big loving smiles for the gentle romance and naked but very carefully positioned bodies for the erotic tales.

I get what is going on but in honesty I feel very sad about it. Not that it will stop me following suit. To not do so as a newbie author would be story suicide. So expect my upcoming novels to reflect the genre. It’s all marketing these days alas.

I once bought a book by Clive James based on the cover called “Cultural Amnesia”. Simple but intriguing, I sought out what was inside. It remains to this day one of my favourite books. And yet I doubt I would have ever have read it if someone had simply said to me it was a collection of short essays about people of our time. I owe a debt to that artist.

And isn’t this a life lesson. Sometimes we need to go with the flow for good and solid reasons. But you know what, we don’t have to like it.