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Write Apocalyse Now!

I’m just starting out on writing an “end of the world “ thriller and have been thinking about how these will compare to my dark fantasy adventure novels. The term apocalypse for me has always brought up great heavenly battles, four horsemen (updated to persons these days of course) racing across the sky, the world gathering at Megiddo and such like. So are the apocalyptic tales in the pandemic / zombie / EMP / natural disaster genres really any different.


One thing that comes straight to mind is that the old magical / fantastical element is gone. The days of a learned genius waving his hands and opening portals or creating hellfire will have to go and more pragmatic solutions will have to be found. This causes a greater emphasis on tactical or mechanical solutions, or simple butchering in the case of zombies. Transformations of people may have to be kept to a low variety instead of the many magical forms that characters take.


Another point spotted while reading these genres is the technical detail, sometimes far and beyond the grasp of many characters: you need to be an expert to survive. How far this is the case and how far the human spirit and determination will get you is another question but certainly the science (or at times pseudo-science) needs to be to the fore and loaded with the best bullets.


But overall this one thing remains although it has been lost in a few tales from the genre I have read. The character remains the thing. The human conflicts, the dreams hopes and aspirations and then the devices that thwart these goals, must not be simply there but must drive the tale. As I read across many genres, the best stories always resonate around the person whether it’s a woman stuck at a train station in the middle of nowhere (Absent in the Spring, Agatha Christie written as Mary Westmacott), a captain of the guard holding together a magical and manic city (Feet of Clay, Terry Pratchett) or a woman fighting to reunite her family after a nuclear holocaust (Point of Impact, Kyla Stone).


So whatever I come up with, it will certainly take my characters and break them as ever, only to have them claw their way back. But this time it will be in the midst of a pandemic, lawlessness and a country falling apart. It almost feels like home! My writing home that is, the Outer Hebrides hasn’t got to that stage yet!

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Who is Mr. Kirkgordon?

As an author I am often asked where my ideas come from for characters and plots which makes me pause and actually think, where have they come from? In response to this feeling, I’m taking a few blogs to discover for myself which bit of this dark mind of mine has produced my main characters.


Mr. Kirkgordon is the one of feuding duo who had their relationship first formed on paper in “Crescendo!”, although a later short origin story, “Footsteps”, takes us back to their first actual meeting under a grave. Agile and a former bodyguard, Kirkgordon can handle himself in trouble and is ideal to look after the volatile eldritch genius that is Mr Austerley.

Kirkgordon comes from that part of us that knows what the right thing to do is, and that we’re going to have to do it despite the hardship that comes from doing it. He cannot walk away, even if the people he’s involved with do the exact opposite to what he would. Having a faith in God, Kirkgordon is not a religious nut but rather is the atypical believer struggling with his faith as well as his behaviour to others he loves and those he loathes.

“Death? That’s it? Indy, everywhere we go there’s a general implication of death. Do you mean death here, in the corridor, or death in a more widespread sense?”

From Ship of Doom by G R Jordan


As a man of faith I wanted to have Kirkgordon put under pressure, both from the outside darkness but also from his own darker sides. He has a wandering eye when it comes to women and when Calandra comes on the scene, they have to fight the immense attraction between each other while working closely together in front of her former lover Austerley.

The archer in Kirkgordon comes from myself and was a lot of fun to write, although I doubt anyone in the real world has handled a bow like him. One of the sides of Kirkgordon brought out to me by a reader was how harsh he is on Austerley. Constantly pilling on the banter and sometime abuse, his understanding of his colleague takes time to grow until there is a mutual respect and distrust in the same measure. Each knows the other frailties and the trouble that comes from them.

“Nailed to your cross then. I hope you believe in redemption and foregiveness too, Havers?”

From Crescendo! by G R Jordan

Ultimately, I think Kirkgordon is ourselves thrown into the mess of situations with all fears, beliefs, pressures and blind corners, knowing that we still have to get it done. He’s not the most powerful, most clever, wisest or even the bravest of the characters but he always gets it done, fighting his conscience all the way. In that I reckon he’s like a lot of people on this earth, albeit his demons tend to jump out of the ground at him.

Check out Kirkgordon’s psychologist’s report here and see what the professionals at SETAA think of him. Or for the books check out my shop and find Kirkgordon for yourself!

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Write your novel in 6 weeks

Write your novel in 6 weeks

If you have a story inside that is yearning to get out and in to a book. Or if you’re not sure how to get it on to paper then this is the answer. ‘Write your novel in 6 weeks’ is a course designed to turn your ideas into reality.

I am very excited to be presenting a series of workshops. I’ve designed these workshops to help you develop and shape your story into what could ultimately be a published novel.

I will be drawing from my own experience of novel writing. However, you will have an extra couple of weeks than I take to write a 60,000 word novel!

How do you write your novel in 6 weeks???

Without going in to too much detail here (as that would make for an incredibly long post!) I set aside some time each day without any distractions, plenty of coffee and I write. I’ll take you through the writing discipline. In addition I’ll show you how you bring it all together at the end to produce a professional manuscript. If you’d like to then you could even go on to publish your novel.

This is a local workshop in the Outer Hebrides at the An Lanntair Arts Centre. I’d like to develop it in to an online series of workshops too, possibly by video conference. If you are interested in such an online course then please email me at gary@grjordan.com or leave a comment below.

To book your place on the An Lanntair workshop please visit their site.

If you haven’t seen what novels I’ve written then please visit my shop for brief tour.